About Amanda

Amanda is a stage manager and theatre artist based in Northeast Ohio. She developed a love for theatre at a young age through choir and local productions, but soon discovered she felt most at home behind the scenes. Stage management became a natural fit, allowing her to combine her passion for storytelling with her strengths in organization, communication, and collaboration.

She earned her BA in Technical Theatre from Cleveland State University, gaining experience across all areas of production, including lighting, sound, scenic design and construction, costumes, and makeup. This well-rounded background continues to inform her work and strengthen her ability to collaborate across departments.

She went on to receive her MFA in Stage Management from Columbia University, where she studied under Michael Passaro and Justin Scribner. Their mentorship played a significant role in shaping her approach—particularly in how she leads, communicated, and supports the creative process. During her time there, she worked on a range of productions, including new works, and developed a strong appreciation for bringing new pieces to life.

Stage Management

Amanda’s approach to stage management is grounded in clear communication, collaboration, and adaptability. With a strong foundation across multiple technical disciplines, she is able to anticipate challenges, bridge gaps between departments, and support the needs of the production team.

She is particularly drawn to new work and values collaborating closely with playwrights, directors, and actors throughout the entire process. She is also inspired by stories that carry emotional depth and complexity, especially works like Small Tragedy and Next to Normal. These interests shape her work in the room, where she prioritizes creating an environment that is thoughtful, supportive, and responsive to the needs of the artists involved.

By building genuine relationships and maintaining open, thoughtful communication, she fosters a process that is both efficient and collaborative. She believes that theatre thrives when structure and creativity are held in balance, and strives to create spaces that are organized, engaging, and grounded in mutual respect—where both the work and the people behind it are valued.